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・ Lies (film)
・ Lies (Kumi Koda song)
・ Lies (McFly song)
・ Lies (Status Quo song)
・ Lies (The Rolling Stones song)
・ Lies (Thompson Twins song)
・ Lies Across America
・ Lies Agreed Upon
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・ Lies and the Lying Liars Who Tell Them
・ Lies and Truth
・ Lies Before Kisses
・ Lies Bonnier
Lies Cosijn
・ Lies for the Liars
・ Lies Greed Misery
・ Lies in Your Eyes
・ Lies Jans
・ Lies My Father Told Me
・ Lies My Father Told Me (1960 film)
・ Lies My Mother Told Me
・ Lies My Parents Told Me
・ Lies My Teacher Told Me
・ Lies of Light
・ Lies of Love
・ Lies of Our Times
・ Lies of Silence
・ Lies of the Beautiful People


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Lies Cosijn : ウィキペディア英語版
Lies Cosijn

Lies Meyers Cosijn (born April 25, 1931) is a Dutch ceramist. Her work is described as "fairytale like and poetic, but also sometimes bizarre and realistic."〔''American Ceramics.'' Vol. 14 (2002). p. 59〕
== Live and work ==
Born in Mojokerto, Cosijn returned with her family to The Netherlands in 1946. After attending the a girls secondary school, she studied ceramics at the Institute of Applied Art in Amsterdam under Theo Dobbelman and Willem de Vries from 1951 to 1955. 〔(Cosijn, Lies ) at capriolus.nl, 2015〕
In 1956 she started her career as ceramist at the De Koninklijke Porceleyne Fles as assistant in the Experimental Division. In 1957 she married Herman Meijers, Professor of International Law at the University of Amsterdam, and she started her own studio at the Kloveniersburgwal in Amsterdam in 1963 but moved to Petten, North Holland the next year. After a the year 1969-1970 in Jamaica, Cosijn and Meijers returned to Petten. Cosijn made "stoneware clay by hand, then engraves the decor in sinter slips and bakes her work in an electric furnace to about 1160 degrees."〔
According to Breitbarth (2009) Cosijn always "deliberately pushed the boundaries, to explore them, to try and possibly to circumvent a ruse. In her work frontiers where crossed numerous times. For example between the two-dimensional character of the drawing and the three-dimensional data of the bowl. Or when drawing the ribs meet at a polygonal box and thus forced the corner store. Also, the creation of space is a game with the limitation: it can literally by making a hole in the wall of the bowl, but also by drawing a window, door or curtain and so as to suggest a see-through."〔Breitbarth, Peggie, "Lies Cosijn blikt terug op een rijk leven als keramist," in: ''Keramiek'' april 2009; As cited in capriolus.nl, 2015. 〕 In 1972 she was awarded the David Roel Award.〔H. Schaafsma. ''Aspecten van cultuurbeleid: een verzameling opstellen ter informatie en inspiratie.'' Samsom, 1974. p. 100〕

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